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Kamis, 23 Januari 2014

PDF Download The Art of Clairtone: The Making of a Design Icon, 1958-1971, by Nina Munk

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The Art of Clairtone: The Making of a Design Icon, 1958-1971, by Nina Munk

About the Author

Based in New York City, Nina Munk is a contributing editor at Vanity Fair and the author of Fools Rush In: Steve Case, Jerry Levin, and the Unmaking of AOL Time Warner. Her work has appeared in Vanity Fair, the New York Times Magazine, the New Yorker, Fortune, and the New York Times.A leading expert on Canadian design, Rachel Gotlieb has curated exhibits for the Gardiner Museum, the Textile Museum of Canada, and the Design Exchange. The author of Design in Canada: Fifty Years from Teakettles to Task Chairs, she writes on design for the Globe and Mail and other publications.

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Excerpt. © Reprinted by permission. All rights reserved.

I was born under a falling star, in 1967, the year Clairtone Sound Corporation collapsed. My father remembers it as the worst year of his life. Clairtone was his first company, his “first love,” he once called it nostalgically. Measured coldly in dollars and cents, it was his smallest and least-successful company; yet nothing my father has done since then has affected him the way Clairtone did.A few years ago, long after making a name for himself in the gold business, and decades after Clairtone had become little more than a quirky footnote in his career, he confessed to the New York Times: “Clairtone was the single most formative experience in my life because it was so traumatic.”But I’m getting ahead of myself. Once upon a time, for a short time, Clairtone Sound Corporation was one of Canada’s most dazzling, most admired companies. It started in 1958 with four employees, $3,000, and a cramped, makeshift factory at 26 Sable Street in a Toronto suburb. The initial idea was simple: to merge contemporary Scandinavian furniture design with the latest in high-fidelity equipment.My father, then 30 and an electrical engineer, made custom hi-fi sets for wealthy clients. His friend and partner, David Harrison Gilmour, 26, had a small business importing Scandinavian flatware, ceramics, and glass. Together, and inspired by a basic 1950s Danish sideboard, they came up with their first hi-fi model–a long, low cabinet in oiled teak with sliding doors and tapered legs. It was good-looking and functional, and it was unlike anything being made in Canada back then. Fitted inside the wooden cabinet were a Dual 1004 turntable, a Granco tube chassis, and a pair of Coral speakers hidden behind plain, wheat-coloured broadcloth from Knoll International.In March 1959, less than four months after it was put into production, that first model, the 100-S, won a Design Award from the National Industrial Design Council. Other models followed, including the entry-level 400-S (“the Princess”) and the luxurious 1000-S (“the Signature”) with its wireless remote control. Then, almost overnight, it seemed, Clairtone’s stereo consoles were everywhere.“Everybody knew about Clairtone,” my father would later boast to the columnist Joan Sutton. “The Prime Minister had one, and if the local truck driver didn’t have one, he wanted one.” Oscar Peterson, the legendary Canadian jazz pianist, officially endorsed Clairtone. Dizzy Gillespie and Frank Sinatra were avid fans. “Listen to Sinatra on Clairtone stereo. Sinatra does,” was one of the company’s most memorable tag lines. During the company’s first five years, between 1958 and 1963, production soared from 350 units a year to 25,000 units. The pace was incredible. That year, 1963, Clairtone was listed on the Toronto Stock Exchange. And nothing, nothing at all thrilled my father so much as seeing his upstart company listed alongside Canada’s old guard, the Establishment: Massey-Ferguson, Algoma Steel, Canadian Pacific Railway, Abitibi Power & Paper, Falconbridge Nickel, Walker-Gooderham & Worts. “In those days, the TSE was as WASP a club as you can get–it was it,” my father reminded me. “I was not only not WASP– I was Jewish, I was an immigrant, and I had an accent.”So great was demand for the company’s products in the early 1960s that, for a time, at Simpson’s department store in Toronto, one Clairtone hi-fi was sold every three hours. In those years, throughout the December rush, Clairtone’s factory stayed open around the clock, with cabinetmakers and assembly line workers pushing out stereo consoles in time for Christmas. Keeping up with the orders was exhausting and exhilarating. “I worked seventy- and eighty-hour weeks,” the company’s former comptroller, David Pols, told me with pride, echoing other Clairtone employees I interviewed. “Sometimes, I recall, I worked all night.”Remarkably, back in the day when about the only things Canada exported were natural resources and tractors, half of Clairtone’s stereos were being sold in the U.S., at “prestige accounts” like Abraham & Straus and Bloomingdale’s in New York, Marshall Field’s in Chicago, Halle Brothers in Cleveland, and J.L. Hudson’s in Detroit. For a Canadian consumer product to be featured in the windows of Bloomingdale’s was almost unimaginable–and yet, there it was.In 1959, when fashionable men, including my father and David Gilmour, still wore three-piece suits, an article in the Globe and Mail trumpeted Clairtone’s success in the U.S. market: “Canadians would have popped a few buttons on their vests last week if they had attended the American Music Show in New York. A stereophonic set designed and manufactured by a Canadian company founded less than a year ago by two young Canadians was the centre of attraction.… This is perhaps the first time a piece of Canadian consumer-electronic equipment has aroused such enthusiasm in the U.S.”As for my father and David, they were hailed as visionaries. They were “everybody’s darlings,” in the words of the journalist Alexander “Sandy” Ross. “They were treated as movie magazines treated Rock Hudson, with awestruck approval,” another journalist recalled. “Peter Munk was probably one of the most admired young men in Canada, the closest thing to a hero the Canadian business community has produced in this generation,” continued Ross. “Just contemplating the Clairtone phenomenon made us all feel smart and groovy and efficient, like the Scandinavians almost.”Even my father seemed awe-struck by his own success. “There was a year when I had thirty-four speaking engagements,” he recalled wide-eyed on CBC’s the fifth estate in 1978. “I stood there, at the age of 30, lecturing the stalwart, establishment members of the Canadian business community. I used to go home … and pinch myself.”

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Product details

Hardcover: 176 pages

Publisher: McClelland & Stewart; y First edition edition (April 22, 2008)

Language: English

ISBN-10: 0771065078

ISBN-13: 978-0771065071

Product Dimensions:

10.4 x 0.8 x 9 inches

Shipping Weight: 2.2 pounds

Average Customer Review:

5.0 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#2,752,887 in Books (See Top 100 in Books)

This book is approximately 10" x 9" in size with an attractive dust jacket and 177 pages, co-written by the daughter of one of the two founders of the Company. It is filled with photographs (some full page) and lucid commentary. Also included are copies of hand-written initial design and specification sheets along with internal memos and advertising layouts.Most of the book is dedicated to the "Project G" which is one of, if not the most, innovative console stereos of the period and certainly the most famous of the Company's products. I lusted after this magnificent collection of components and cabinetry when I was young, but the $1,600 price tag was well beyond my means. The overall system engineering was first-rate and the sound was amazing for it's time. Another reason to purchase the product was use of well-known components such as DUAL, ELAC-MIRACORD and GARRARD record changers.The only small complaint I have is not including pictures of the entire product line. Even if you have never heard of this Company or it's products, you will be entertained by reading about a business that had a great impact within it's product niche but was ultimately driven into the ground by it's founders too-grandiose dreams: what a loss!

Rare look into one of the true icons of early upscale sound systems with heavy design effect. The last time I saw one for sale was in Palm Springs, Ca. at nearly $13,000! Solid and wonderfully researched.

Fascinating behind the scenes look at the rise and fall of a Canadian company way ahead of its time. LOVE the treasure of photographs.

I highly recommend purchasing "The Art of Clairtone: The Making of a Design Icon, 1958-1971". The authors, Nina Munk and Rachel Gotlieb, have revealed a fascinating behind-the-scenes tale of the rise and fall of Clairtone.I was initially drawn to the book due to my own fascination with electronic equipment, modern industrial design, and Canadiana (since I am Canadian). I have found this book to be very well written so that the reader is captivated from page to page and also beautifully illustrated which makes the book an excellent visual reference for those who either collect vintage Clairtone electronics or have an interest in industrial design in general.This book is chock full of lavish colour illustrations and photographs depicting initial designs, close-up details of Clairtone products, and the marketing campaigns of the era. I simply could not put down "The Art of Clairtone" once I started reading it and I congratulate the authors for producing this delightful gem of a book.

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Selasa, 21 Januari 2014

Ebook The Riemann Hypothesis: The Greatest Unsolved Problem in MathematicsBy Karl Sabbagh

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The Riemann Hypothesis: The Greatest Unsolved Problem in MathematicsBy Karl Sabbagh

An engaging, informative, and wryly humorous exploration of one of the great conundrums of all timeIn 1859 Bernhard Riemann, a shy German mathematician, wrote an eight-page article giving an answer to a problem that had long puzzled mathematicians. But he didn’t provide a proof. In fact, he said he couldn’t prove it but he thought that his answer was “very probably” true. From the publication of that paper to the present day, the world’s mathematicians have been fascinated, infuriated, and obsessed with proving the Riemann Hypothesis, and so great is the interest in its solution that in 2001 an American foundation put up prize money of $1 million for the first person to demonstrate that the hypothesis is correct.The hypothesis refers to prime numbers, which are in some sense the atoms from which all other numbers are constructed, and seeks to explain where every single prime to infinity will occur. Riemann’s idea—if true—would illuminate how these numbers are distributed, and if false will throw pure mathematics into confusion.Karl Sabbagh meets some of the world’s mathematicians who spend their lives thinking about the Riemann Hypothesis, focusing attention in particular on “Riemann’s zeros,” a series of points that are believed to lie in a straight line, though no one can prove it. Accessible and vivid, The Riemann Hypothesis is a brilliant explanation of numbers and a profound meditation on the ultimate meaning of mathematics.

  • Amazon Sales Rank: #1690777 in Books
  • Published on: 2003-04-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.15" h x 5.82" w x 8.48" l,
  • Binding: Hardcover
  • 304 pages

From Publishers Weekly With Fermat's Last Theorem proved, the Riemann Hypothesis has become math's most glamorous unsolved problem, and has spawned a growing literature seeking to explain it to lay readers. Unfortunately, this curious genre is overshadowed by the fact that the hypothesis itself is incomprehensible to anyone without a Ph.D. Sabbagh, author of A Rum Affair, struggles manfully with this problem, and gives impressively lucid explanations of such preliminary subjects as prime numbers, logarithms, infinite series, algebraic equations and matrices. But even with all this background, the hypothesis remains such an opaque abstraction that, at one typically baffling juncture, the author throws up his hands and instructs readers to either "sign up for a few months of complex analysis and number theory, and then pick up the book again in a year or two" or else just "take it on trust." To help elucidate the material, Sabbagh includes many lengthy excerpts from interviews with mathematicians, who, he claims, "see truths with a clarity that is sometimes breathtaking," but these rambling, obscure commentaries ("what's going to probably happen for the real Riemann Hypothesis is there's going to be another blob and there's going to be a function that turns the blob into itself") are not necessarily very helpful. Sabbagh can be a gifted expositor of mathematics when he sticks to more tractable topics, but when it comes to the Riemann Hypothesis, he offers readers veneration instead of understanding. B&w illustrations and graphs. Copyright 2003 Reed Business Information, Inc.

From Booklist Bernhard Riemann would make any list of the greatest mathematicians ever. In 1859, he proposed a formula to count prime numbers that has defied all attempts to prove it true.This new book tackles the Riemann hypothesis. Sabbagh introduces contemporary mathematicians who are working on the problem, one of whom claims, to professional skepticism, to be on the verge of vindicating the hypothesis. Another is working away in search of a single counterexample that would refute it. Such pursuits, which often consume mathematicians' entire lives, may seem incomprehensible or even pointless to the innumerate--but that's a prejudice brilliantly dispelled through Sabbagh's interviews, which are interwoven with his not overly numerical tour of the hypothesis. The drive and competitiveness of mathematicians clearly emerge from Sabbagh's narrative.

Gilbert TaylorCopyright © American Library Association. All rights reserved

About the Author Karl Sabbagh is the author of six books, most recently A Rum Affair (FSG, 2000). He lives near Stratford-upon-Avon in England.

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Selasa, 31 Desember 2013

Ebook Download Indian Art (Oxford History of Art)By Partha Mitter

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This concise yet lively new survey guides the reader through 5,000 years of Indian art and architecture. A rich artistic tradition is fully explored through the Hindu, Buddhist, Islamic, Colonial, and contemporary periods, incorporating discussion of modern Bangladesh and Pakistan, tribal artists, and the decorative arts.

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  • Sales Rank: #297534 in Books
  • Published on: 2001-07-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.30" h x .70" w x 9.10" l, 1.55 pounds
  • Binding: Paperback
  • 298 pages

About the Author

Partha Mitter is Professor of History of Art at the University of Sussex. Currently a Visiting Scholar at the Getty Research Institute in Los Angeles, he also lectures around the world, notably Columbia University, Princeton University, and Oxford and Cambridge Universities.

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Kamis, 26 Desember 2013

PDF Ebook First Confession (Creative Short Stories)By Frank O'Connor

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  • Sales Rank: #3182869 in Books
  • Brand: Brand: Creative Co (Sd)
  • Published on: 1990-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.25" w x .50" l,
  • Binding: Hardcover
  • 31 pages
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Selasa, 24 Desember 2013

Download PDF Top 10 Florence and Tuscany (Eyewitness Top 10 Travel Guide)By DK

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Top 10 Florence and Tuscany (Eyewitness Top 10 Travel Guide)By DK

Newly revised, updated, and redesigned for 2016.

True to its name, DK Eyewitness Travel Guide: Top 10 Florence and Tuscany covers all the region's major sights and attractions in easy-to-use "top 10" lists that help you plan the vacation that's right for you.

This newly updated pocket travel guide for Florence and Tuscany will lead you straight to the best attractions the region has to offer, whether you want to see artistic masterpieces like the Duomo and Michelangelo's David, or experience the local wines and fresh olive oils.

Expert travel writers have fully revised this edition of DK Eyewitness Travel Guide: Top 10 Florence and Tuscany.

   • Brand-new itineraries help you plan your trip to Florence and Tuscany.
   • Expanded and far more comprehensive, new laminated pull-out map now includes color-coded design, public transportation maps, and street indexes to make it even easier to use.
   • Maps of walking routes show you the best ways to maximize your time.
   • New Top 10 lists feature off-the-beaten-track ideas, along with standbys like the top attractions, shopping, dining options, and more.
   • Additional maps marked with sights from the guidebook are shown on inside cover flaps, with selected street index and metro map.
   • New typography and fresh layout throughout.

You'll still find DK's famous full-color photography and museum floor plans, along with just the right amount of coverage of the region's history and culture. A free pull-out city map is marked with sights from the guidebook and includes a street index.

The perfect pocket-size travel companion: DK Eyewitness Travel Guide: Top 10 Florence and Tuscany.

Series Overview: For more than two decades, DK Eyewitness Travel Guides have helped travelers experience the world through the history, art, architecture, and culture of their destinations. Expert travel writers and researchers provide independent editorial advice, recommendations, and reviews. With guidebooks to hundreds of places around the globe available in print and digital formats, DK Eyewitness Travel Guides show travelers how they can discover more.

DK Eyewitness Travel Guides: the most maps, photographs, and illustrations of any guide.

  • Sales Rank: #402522 in Books
  • Published on: 2016-11-01
  • Released on: 2016-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.56" h x .49" w x 4.06" l, .0 pounds
  • Binding: Paperback
  • 128 pages

Review

"This [DK Eyewitness Travel: Top 10] might be the best traveling companion to throw in your pack. It's a slim and sleek overview… loaded with practical and useful content." — Gadling.com

"Known… for its four-color maps, photos and illustrations, the [DK] Eyewitness Guides are extremely user-friendly for travelers who want their information delivered in a concise, visual way." — Chicago Tribune

"The best option… Color photos, maps, and diagrams bring the place to life." — The Philadelphia Inquirer

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Senin, 16 Desember 2013

Download Ebook Tome of Beasts, by Wolfgang Baur

Download Ebook Tome of Beasts, by Wolfgang Baur

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Tome of Beasts, by Wolfgang Baur

Tome of Beasts, by Wolfgang Baur


Tome of Beasts, by Wolfgang Baur


Download Ebook Tome of Beasts, by Wolfgang Baur

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Tome of Beasts, by Wolfgang Baur

Product details

Hardcover: 400 pages

Publisher: Paizo Inc.; Brdgm edition (November 8, 2016)

Language: English

ISBN-10: 1936781565

ISBN-13: 978-1936781560

Product Dimensions:

8.9 x 2.1 x 11.5 inches

Shipping Weight: 3.2 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

156 customer reviews

Amazon Best Sellers Rank:

#6,463 in Books (See Top 100 in Books)

I rarely buy books that are published from 3rd parties but this one caught my eye. After watching a few YouTube reviews of it I was extra curious and got a hold of one to peruse and it looked like it was filling a few holes I felt were in the Monster Manuel.Sure enough, there are like 400+ monsters in this massive book and some great additions to what is already out there. The biggest is like 7-8 fey creatures that I was looking for and some leveled up standard monsters. It is very much like a good extension of the MM.I gave it 5 stars because it is a good book on its own, but if you are going to only buy one extra monster book get the Volo's guide, there are things in that one that I liked just a bit more but in no way does that excellent book take away from how good this one is.

I remember, back at the nadir of the OGL publishing glut, there were shelves and shelves of half-baked monster manuals. Typically, these consisted of page after page of unnecessary variants on classic monsters, ridiculously overpowered titans that nobody could ever use, and monsters so specific to the in-house campaign setting as to be useless to GMs looking for new monsters for their established games. The result was countless wasted pages for five or ten interesting new monsters.If this were the year 2002, Tome of Beasts would probably fall neatly into that trap. Fortunately this is not the year 2002.The authors wisely followed D&D's lead on presentation, giving a brief description of each monster followed by two or three notes about habitat, culture or roleplaying, followed by the stat blocks. Large, high-quality illustrations are provided for each monster. Stat blocks seem reasonable, and many monsters have unique and interesting abilities rather than simply reskins of abilities from the Monster Manual. It's difficult to gauge the balance of the new creatures, but nothing jumps out as particularly egregious power creep.Most of the monsters seem to hover around the middle of the challenge rating scale, which is much appreciated. There are a handful of extremely powerful, high-challenge rating monsters, but the authors clearly were trying to make a general bestiary that a GM could use throughout the entire life of a campaign.Most of the monsters are quite good. Some of them are variants. There are new hags, new trolls, new ghouls, new kobolds, but each feels like a useful and interesting addition to the game rather than a simple palette swap. There are new dragons themed around elements, which breaks the chromatic/metallic dichotomy and provides a solid thematic hook to slot them into a campaign. Also, the Void Dragon looks like something from the cover of a power metal album, which is pretty awesome. As others have noted there is perhaps a preponderance of fey (and one too many "sexy dryad" types), but overall the various monster types are well represented.There are around 400 new monsters, which will no doubt please people who wished Volo's Guide had been a little heftier, and while not all of them are knockouts (Hedgehog men? Evil Ioun stones?) they at least well-crafted with 5th edition's design philosophy in mind. That said, there are a lot of really fun monsters in this book. If the Doppelrat doesn't give you an evil GM chuckle, check your pulse. And if you were dying for 5th edition stats for a Shoggoth, now you're all set.Physically the book is sturdy and feels well bound. Kobold Press forewent glossy pages, which I'm sure keeps the book's cost down but makes me even more nervous about spills. I can live with it. At $50 it's right at the edge of what I would consider acceptable for a game supplement of this size and production value.All said, if you want some new monsters for your game, this is an easy buy.

This is the first really good "splatbook" or expansion book I have seen for 5e, and I am thrilled to have it. The book is really strong on Fey creatures, which the WOTC monster sourcebooks seems a little lacking in. It is cool seeing some Lovecraftian influence in some of the monsters, as I use those themes heavily in my own setting. Also nifty were the large number of creatures from myth and legend, especially the numerous Slavic monsters. Lots of great desert monsters, too. If you plan on running a "lost temple in the dunes" sort of thing, this is the book for you.One odd thing I noticed was the large number of monsters that were variations on "beautiful woman lures men to their dooms, before sucking them dry/draining their life force/drowning them". Several, such as the Lorelei and the Rusalki are legit creatures of legend. I just wonder if it was absolutely necessary to include so many... Abominable Beauty, Drowned Maiden, Eleinomae, Ice Maiden, Lorelei, Mirager, Rusalki... I probably overlooked one, it is a big book. What the hell, guys? Did someone have a bad relationship?That aside, this is a great book. Writing is good, art is largely top-shelf, and the quantity of material you get is beyond reproach. I think this is about 1.25" think of monsters. Buy it. Seriously.

I thought, at first, that this was going to be a compendium of all the monsters in the D&D realm but I quickly found out that I was wrong, but not to my disappointment. The book is huge and offers a lot of different ideas for new creatures. I have seen a few of the creatures in other various books to aid in game play, but I am unsure if they come from the same people. That being said, if you like being unique, get this book!Last but important note, how the heck do you mix a troll and a gnome (Moss Lurker of 298)? I think they need explain this a little more.

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Rabu, 04 Desember 2013

Free Download The European World 1500-1800: An Introduction to Early Modern HistoryFrom imusti

Free Download The European World 1500-1800: An Introduction to Early Modern HistoryFrom imusti

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The European World 1500-1800: An Introduction to Early Modern HistoryFrom imusti

The European World 1500-1800: An Introduction to Early Modern HistoryFrom imusti


The European World 1500-1800: An Introduction to Early Modern HistoryFrom imusti


Free Download The European World 1500-1800: An Introduction to Early Modern HistoryFrom imusti

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The European World 1500-1800: An Introduction to Early Modern HistoryFrom imusti

The European World 1500-1800 provides a concise and authoritative textbook for the centuries between the Renaissance and the French Revolution. It presents early modern Europe not as a mere transitional phase, but a dynamic period worth studying in its own right. Written by an experienced team of specialists, and derived from a perennially successful undergraduate course, it offers a student-friendly introduction to all major themes and processes of early modern history.

Structured in four parts dealing with socio-economic, religious, cultural and political issues, it adopts a deliberately broad geographical perspective: Western and Central Europe receive particular attention, but dedicated chapters also explore the wider global context. For this thoroughly revised and improved second edition, the authors have added three new chapters on ‘Politics and Government’, ‘Impact of War' and ‘Revolution’

Specially designed to assist learning, The European World 1500-1800 features:

  • state-of-the-art surveys of key topics written by an international team of historians
  • suggestions for seminar discussion and further reading
  • extracts from primary sources and generous illustrations, including maps
  • a glossary of key terms and concepts
  • a chronology of major events
  • a full index of persons, places and subjects
  • a fully-featured companion website, enhanced for this new edition

The European World 1500-1800 will be essential reading for all students embarking on the discovery of the early modern period.

  • Amazon Sales Rank: #695685 in Books
  • Brand: imusti
  • Published on: 2014-02-14
  • Released on: 2013-12-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .94" w x 6.85" l, 1.80 pounds
  • Binding: Paperback
  • 416 pages
Features
  • Routledge

Review

‘An informative, synthetic account of the major themes in early modern European history. The authors introduce readers to an array of "histories" (social, economic, religious, etc.) which they may not have encountered before and encourage further specialised reading . . . the illustrative examples are useful and pertinent.’Stephen Bowd, University of Edinburgh

‘This impressive textbook provides a firm basis for any further student research. Easy to read, it delivers in-depth considerations of the most important developments of the European early modern period.’Renate Dürr, University of Tübingen

‘Didactically, it is all brilliantly executed, especially compared to some German textbooks and it is easy to read, without being simplistic.’Wolfgang Reinhard, Zeitschrift für Historische Forschung

‘One of the best introductions to this period I have seen.'Retha Warnicke, Arizona State University

'A student-friendly text, well written by excellent scholars who make the reader want to turn the page. The European World, 1500-1800, contains analytical chapters on a variety of both traditional and recent historical topics while excelling in comparative descriptions of life throughout Europe, between different centuries, and between Europe and the wider world.'Richard M. Golden, University of North Texas

This is a well-organized, thoughtful and thought-provoking survey of a seminal period in the history of Europe. It draws upon current scholarship to provide a useful overview the major themes of early modern European history. Its thematic approach is especially helpful in getting students to think about the past in new and fruitful ways.Christine Kooi, Louisiana State University.

About the Author Beat Kumin is Professor of Early Modern European History at the University of Warwick. A Fellow of the Royal Historical Society and member of the AHRC Peer Review College, his previous works include Drinking Matters: Public Houses and Social Exchange in Early Modern Central Europe and (as editor) Political Space in Pre-Industrial Europe.

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The European World 1500-1800: An Introduction to Early Modern HistoryFrom imusti PDF
The European World 1500-1800: An Introduction to Early Modern HistoryFrom imusti PDF